The Characteristics of Florentine Painting as Reflected in the Work of

The Characteristics of Florentine Painting as Reflected in the piddle of MasaccioThe Italian Renaissance was one of the most productive periods in the register of art, with large numbers of outstanding masters to be foundin many centres and in all the major fields painting, sculpture, andarchitecture. In Florence, in the first half of the fifteenth century,there were great innovators in all these fields, whose work marked abeginning of a new age in the history of art. These innovatorsincluded Masaccio in painting,It was Masaccio (1401-28) who, in his brief and awed c beer, wasthe real successor of Giotto and revolutionized Florentine painting.He too gave his figures a expunge and noble dignity. His frescoes in theBrancacci Chapel of the church of Santa Maria del Carmine in Florencedid much to determine the course of painting from that time on.There are eight main classical characteristics of Florentine art,which are displayed by some(prenominal) Masaccio and other artists are c learlydisplayed in a variety of paintings of which I shall go into moredetail of three of them, although I will short refer to the othereight for a wider knowledge and understanding of the apocalypse of theFlorentine work from the fifteen century. There is a greater anatomical study to produce a higher standard of naturalism of figuresthis is displayed my Masaccio in the baptism of Christ. Light isexploited to give a sense of volumes to the figures this is depictedin the Masaccios Peter hea...